Creativity

The Muse & The Work

November 29, 2009

in Creativity

I write for a liv­ing, I take pho­tographs as a hobby, I stud­ied design in school and even worked as a 3D artist. And I think I’ve done some decent work in these areas, if I may say so myself.

At the same time, if any­one were to ask me about what makes a per­son cre­ative, my truth­ful answer would make them think I’m nuts.

Cre­ativ­ity in 2 Parts

I believe that cre­ativ­ity lies in 2 parts: the muse and the work. The muse is the source of inspi­ra­tion for all cre­ative work, and the work is the getting-your-hands-dirty act of mak­ing things.

Mak­ing any­thing good requires both inspi­ra­tion and work. Inspi­ra­tion with­out work is day­dream­ing, work with­out inspi­ra­tion is dreary. The tricky part is when peo­ple use the lack of either as an excuse not to do anything.

But Where Does Inspi­ra­tion Come From?

I have no idea.

I work my ass off and sud­denly a divine idea springs into my head from out of nowhere, just beg­ging for me to help bring it to life. And when it’s done, all I can do is look at it and go “I did that?”

In her TED talk, Eliz­a­beth Gilbert describes this as a ‘genius’, an age-old idea that cre­ative genius doesn’t lie inside the per­son, but from an exter­nal, divine source. Sounds kinda kooky, but I think every cre­ative per­son will tell you how much it rings true. In any great cre­ative work, there are strange moments where you hap­pen upon an idea that doesn’t feel so much thought up, but given to you from some­where.

One of the perks of being a tech reviewer is get­ting the newest toys and try­ing them out for free. One of the non-perks is doing a ‘shootout’, get­ting a bunch of said toys together and try­ing them all out at the same time.

So there I was, trudg­ing up Bukit Timah Hill at an unprece­dent­edly early hour on a week­end (yes, work­ing week­ends, woot), try­ing to get decent pho­tos for pub­lish­ing with six cam­eras. A cou­ple of them were excel­lent; easy to use, fast and respon­sive, like exten­sions of my eyes. A cou­ple were aver­age. A cou­ple were bricks; using them to take pho­tos was like using a rock to write.

(At some point, I wanted to hurl said bricks down the hill­side, just to see them go crunch against the rocks.)

About halfway up the hill and over a hun­dred pic­tures later, I dis­cov­ered some­thing inter­est­ing: I was actu­ally tak­ing bet­ter pic­tures with the cam­eras I enjoyed using. Big duh right – would you do bet­ter using a big gran­ite slab to write or a pen­cil – but you know what? It brought home closer to me that using the tools you love not only help you love what you do so it makes you do more, it also helps you do it better.

Ignore Everybody by Hugh MacLeodSee those car­toons to the right of this col­umn (if you’re read­ing via an RSS reader, click to go to 21 Drag­ons)? They’re all drawn by Hugh MacLeod of Gap­ing Void, some­times funny, some­times sad, some­times wise, Hugh’s work is always orig­i­nal. And if you haven’t already guessed, I’m a fan.

So I was really excited when Hugh announced that the most pop­u­lar series on his blog, Ignore Every­body – on how to be cre­ative – was going to be pub­lished as a book. So excited that I pre-ordered two copies, one for me, and the other as a birth­day gift for a friend who works in the cre­ative industry.

Hav­ing read my copy of Ignore Every­body: and 39 Other Keys to Cre­ativ­ity twice over already, I love the book. (My afore­men­tioned friend who works in the cre­ative indus­try as a 3D artist called me to tell me how he loves the book, and called it ‘life-changing’. Real story.) Here’s why.

5 Rea­sons Why I Love Ignore Everybody

1. Ignore Every­body is Real

Ignore Every­body isn’t full of polit­i­cally cor­rect quotes. In fact, some of the car­toons are down-right cyn­i­cal. But they’re hon­est. And hon­esty connects.

You’ll never see a car­toon like the one below in any moti­va­tional book. But it is oh so true. Hugh isn’t a moti­va­tional speaker, he’s an artist. There is a difference.

You're kinda cute

When I was a design stu­dent, there was a par­tic­u­lar sketch­book I loved to use. You could only buy it at two places in the entire coun­try, and some­times they would sell out. It was meant for chil­dren, and the cover had a cute, col­or­ful draw­ing of happy zoo ani­mals, so it was more suit­able for a kid to carry to kinder­garten than for a teenager to be seen draw­ing it out of his bag in public.

But I absolutely loved it.

It was the tex­ture of the paper, which was recy­cled. It had a rough, unfin­ished qual­ity, and I loved the way it felt on my pen­cil. Every other type of draw­ing paper felt too smooth to draw on, but this paper was entirely invit­ing. I remem­ber spend­ing the entire month of one of my school hol­i­days at the library, just sketch­ing my way through a book.

That sketch­book with the col­or­ful cover taught me one thing: when you use tools you love, you’re inspired to do more.

MUJI 0.38mm gel ink pens, another tool I love that inspires me.

MUJI 0.38mm gel ink pens, another tool I love that inspires me.

HOWTO: 149 Sur­pris­ing Ways to Tur­bocharge Your Blog with Cred­i­bil­ity! a SxSW ‘09 panel by Mer­lin Mann and John Gru­ber, has been on my repeat play-list for the past few weeks.

Mer­lin Mann and John Gru­ber are wildly suc­cess­ful web authors. They are both amongst my favorite writ­ers; this is their first recorded panel together and it is insanely funny. Despite the tongue-in-cheek title, not only is it full of great advice about how to blog well, but when you replace the word ‘blog’ with any cre­ative endeavor – like ‘pho­tog­ra­phy’ or ‘3D animation’ – the advice trans­lates across dis­ci­plines and gives insight about cre­ativ­ity, own­er­ship and how to make some­thing you can be proud of.

The first time I lis­tened to the end of this one-hour record­ing, I for­warded it to my cre­ative friends, because I knew they would get so much from it. But I was afraid they wouldn’t get the many (hilar­i­ous) Web 2.0 in-jokes and be turned off by the heavy blog­ging overtones.

So this short sum­mary is for my friends; the mak­ers of things.

Note: Quotes in this post are thanks to Jor­dan Cole’s full tran­scrip­tion.

1. Find Your Obses­sion and Your Voice

The core of the panel can be summed up in one sim­ple phrase: find your obses­sion and your voice. Mann says: